African Books Collective: Ordering the African imagination.
How the West Was Won contains articles in three main areas of the humanities. It focuses on various aspects of literary imagination, with essays ranging from Petrarch to Voltaire; on the canon, with essays on western history as one of shifting cultural horizons and ideals, and including censorship; and on the Christian Middle Ages, when an interesting combination of religion and culture.
Reading Playing in the Dark: Whiteness and the Literary Imagination, Toni Morrison thoughtfully explores the importance of African Americans in the American literary imagination. Morrison shares her concerns with American language and the American literary imagination being both characteristically white, and questions the impact of this whiteness upon American writers.
In the 1960s, much diatribe was exchanged by African literary artists within their caucus, and outside with different scholars interested in African literature. Wali demonstrates this disagreement.
Sociological imagination is a sociological theory that encapsulates these two concepts: individual, and society (What is Sciology). An individual is an element of society. The society acts forces on this element. Sociological imagination enables the individual to identify these forces, their impacts.
Mphahlele's historic rendezvous with African-American literature and culture has been continuous from the early 1950's to the early 1980's: his book of 1972, Voices in the Whirlwind and Other Essays, and his major essays in Chinua Achebe's magazine of the late 1970's and early 1980's, Okike, testify to this constant engagement and commitment.
The dissertation is one of four key elements structuring the MPhil in African Studies programme. The other elements are the core course, the option courses, and language training. The dissertation offers students the opportunity to devise, conduct and write up their own research project of between 15,000 and 20,000 words (including footnotes but excluding bibliography).
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